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Melville, Herman: Moby-Dick

or, The Whale
'Call me Ishmael.' So begins the author's masterpiece, one of the greatest works of imagination in literary history. As Ishmael is drawn into Captain Ahab's obsessive quest to slay the white whale Moby-Dick, he finds himself engaged in a metaphysical struggle between good and evil.Winner of the 2012 Fifty Books/Fifty Covers show, organized by Design Observer in association with AIGA and Designers & Books

Winner of the 2014 Type Directors Club Communication Design Award

Praise for Penguin Drop Caps:

"[Penguin Drop Caps] convey a sense of nostalgia for the tactility and aesthetic power of a physical book and for a centuries-old tradition of beautiful lettering."
Fast Company

“Vibrant, minimalist new typographic covers…. Bonus points for the heartening gender balance of the initial selections.”
—Maria Popova, Brain Pickings

"The Penguin Drop Caps series is a great example of the power of design. Why buy these particular classics when there are less expensive, even free editions of Great Expectations? Because they’re beautiful objects. Paul Buckley and Jessica Hische’s fresh approach to the literary classics reduces the design down to typography and color. Each cover is foil-stamped with a cleverly illustrated letterform that reveals an element of the story. Jane Austen’s A (Pride and Prejudice) is formed by opulent peacock feathers and Charlotte Bronte’s B (Jane Eyre) is surrounded by flames. The complete set forms a rainbow spectrum prettier than anything else on your bookshelf."
—Rex Bonomelli, The New York Times

"Drool-inducing."
Flavorwire

"Classic reads in stunning covers—your book club will be dying."
Redbook
B-Format Paperback
Autor Melville, Herman
Verlag Penguin Putnam
Einband Kartonierter Einband (Kt)
Erscheinungsjahr 2003
Seitenangabe 720 S.
Meldetext Lieferbar in 24 Stunden
Ausgabekennzeichen Englisch
Abbildungen B-format paperback
Masse H19.8 cm x B13.0 cm x D3.2 cm 470 g
Coverlag Penguin Classics (Imprint/Brand)
'Call me Ishmael.' So begins the author's masterpiece, one of the greatest works of imagination in literary history. As Ishmael is drawn into Captain Ahab's obsessive quest to slay the white whale Moby-Dick, he finds himself engaged in a metaphysical struggle between good and evil.Winner of the 2012 Fifty Books/Fifty Covers show, organized by Design Observer in association with AIGA and Designers & Books

Winner of the 2014 Type Directors Club Communication Design Award

Praise for Penguin Drop Caps:

"[Penguin Drop Caps] convey a sense of nostalgia for the tactility and aesthetic power of a physical book and for a centuries-old tradition of beautiful lettering."
Fast Company

“Vibrant, minimalist new typographic covers…. Bonus points for the heartening gender balance of the initial selections.”
—Maria Popova, Brain Pickings

"The Penguin Drop Caps series is a great example of the power of design. Why buy these particular classics when there are less expensive, even free editions of Great Expectations? Because they’re beautiful objects. Paul Buckley and Jessica Hische’s fresh approach to the literary classics reduces the design down to typography and color. Each cover is foil-stamped with a cleverly illustrated letterform that reveals an element of the story. Jane Austen’s A (Pride and Prejudice) is formed by opulent peacock feathers and Charlotte Bronte’s B (Jane Eyre) is surrounded by flames. The complete set forms a rainbow spectrum prettier than anything else on your bookshelf."
—Rex Bonomelli, The New York Times

"Drool-inducing."
Flavorwire

"Classic reads in stunning covers—your book club will be dying."
Redbook
B-Format Paperback
CHF 21.50
Verfügbarkeit: Am Lager
ISBN: 978-0-14-243724-7
Verfügbarkeit: Lieferbar in 24 Stunden

Über den Autor Melville, Herman

Herman Melville (1819-91) became in his late twenties a highly successful author of exotic novels based on his experiences as a sailor - writing in quick succession Typee, Omoo, Redburn and White-Jacket. However, his masterpiece Moby-Dick was met with incomprehension and the other later works which are now the basis of his reputation, such as Bartleby, the Scrivener and The Confidence-Man, were failures. Melville stopped writing fiction and the rest of his long life was spent first as a lecturer and then, for nineteen years, as a customs official in New York City. He was also the author of the immensely long poem Clarel, which was similarly dismissed. At the end of his life he wrote Billy Budd, Sailor which was published posthumously in 1924.

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