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Booth, Gregory D. (Hrsg.): More Than Bollywood

Studies in Indian Popular Music
This is the first book to tackle the diverse styles and multiple histories of popular musics in India. Fourteen of the world's leading scholars on Indian popular music have contributed chapters on a range of topics from the classic songs of Bollywood to Indian rock music, summarized by a reflective afterword by popular music scholar Timothy Taylor.Highly recommended.
Autor Booth, Gregory D. (Hrsg.)
Verlag Oxford Academic
Einband Fester Einband
Erscheinungsjahr 2013
Seitenangabe 380 S.
Meldetext Lieferbar in ca. 10-20 Arbeitstagen
Ausgabekennzeichen Englisch
Abbildungen 18 halftones; 17 illustrations
Masse H15.2 cm x B23.4 cm x D2.5 cm 680 g
Coverlag OUP USA (Imprint/Brand)
This is the first book to tackle the diverse styles and multiple histories of popular musics in India. Fourteen of the world's leading scholars on Indian popular music have contributed chapters on a range of topics from the classic songs of Bollywood to Indian rock music, summarized by a reflective afterword by popular music scholar Timothy Taylor.Highly recommended.
CHF 170.00
Verfügbarkeit: Am Lager
ISBN: 978-0-19-992883-5
Verfügbarkeit: Lieferbar in ca. 10-20 Arbeitstagen

Über den Autor Booth, Gregory D. (Hrsg.)

GREGORY D. BOOTH is an Associate Professor of Ethnomusicology in the Department of Anthropology at the University of Auckland and has been engaged in the study of Indian music and culture for more than thirty years. He is the author of two books: Behind the Curtain: Making Music in Mumbai's Film Studios (OUP 2008) and Brass Baja: Stories from the World of Indian Wedding Bands (OUP 2005). BRADLEY SHOPE is an Assistant Professor of Music at Texas A & M in Corpus Christi and holds a doctorate in ethnomusicology from Indiana University. His research interests include the history of western popular music in India and the musical life of the British Raj in the 19th and early 20th centuries. He has been especially interested in jazz in India from the 1920s to the 1940s and its intersection with early Hindi film music.

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