Suchen

Wilde, Oscar: The Picture of Dorian Gray

Enthralled by Dorian Gray' own exquisite portrait, he exchanges his soul for eternal youth and beauty. Influenced by his friend Lord Henry Wotton, he is drawn into a corrupt double life; indulging his desires in secret while remaining a gentleman in the eyes of polite society. Only his portrait bears the traces of his decadence.Amazon.co.uk
A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife", Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."
As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment."



B-Format Paperback

Autor Wilde, Oscar
Verlag Penguin Books
Einband Kartonierter Einband (Kt)
Erscheinungsjahr 2003
Seitenangabe 304 S.
Meldetext Lieferbar in 24 Stunden
Ausgabekennzeichen Englisch
Masse H19.8 cm x B12.9 cm x D3.5 cm 500 g
Coverlag Penguin Classics (Imprint/Brand)
Enthralled by Dorian Gray' own exquisite portrait, he exchanges his soul for eternal youth and beauty. Influenced by his friend Lord Henry Wotton, he is drawn into a corrupt double life; indulging his desires in secret while remaining a gentleman in the eyes of polite society. Only his portrait bears the traces of his decadence.Amazon.co.uk
A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife", Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."
As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment."



B-Format Paperback

CHF 14.50
Verfügbarkeit: Am Lager
ISBN: 978-0-14-143957-0
Verfügbarkeit: Lieferbar in 24 Stunden

Über den Autor Wilde, Oscar

Born in Ireland, Wilde (1854-1900) was educated in Dublin and Oxford and became the leading exponent of aestheticism. His work includes plays, a novel, poetry and criticism. Imprisoned for homosexual acts, he died after his release in exile in Paris.
Robert Mighall has written on Gothic fiction and is the editor of Stevenson's Dr Jekyll and Mr Hyde for Penguin Classics. Peter Ackroyd is a best-selling writer whose recent work includes biographies on Dickens and Blake.

Weitere Titel von Wilde, Oscar

Filters
Sort
display